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Vivien Leigh: An Intimate Portrait by Kendra Bean. |
At the center of this immortal film is the performance of Vivien Leigh as the scheming Southern belle Scarlett O'Hara. While it may be possible to imagine another actress as Scarlett, it is difficult to see Gone with the Wind achieving such tremendous success if Leigh had not been cast. Leigh's remarkable ability to convey steely determination underscored with trembling fragility is an essential element. Even in the capable hands of Katharine Hepburn or Bette Davis, both of whom were among the many actresses who wanted to play Scarlett, Selznick's grandiose production may have come down to us as an overblown, dated melodrama.
There have been major biographies of Leigh by Anne Edwards (1977), Alexander Walker (1987), and Hugo Vickers (1989). Bean, a young American film historian based in London, represents a new generation of film scholars. She told TCR that she was drawn to write about Leigh, who died from a badly treated case of tuberculosis at age fifty-three in 1967, "because she’s interesting, often misunderstood, and nothing I’d read about her before seemed to satisfy my curiosity about her life or her work."
Bean is the first major Leigh biographer to have access to the papers of the actor Laurence Olivier, acquired by the British Library in 2000. Leigh and Olivier were married for twenty years before divorcing in 1960.